Copyright infringement and other threats to independent designing, writing, and publishing

The post that I was going to publish tonight will be released tomorrow morning, except for this section that I've pulled out. This was going to be just a small portion of one of my usual multi-topic posts, but it's too important.

Item 1 under "minuses" is a matter of vital importance not only to me and to the authors whose fine work I publish but to a lot of other people as well. It is serious enough to threaten the creative survival of the good and visionary and hard-working people who provide energy and ideas to so many other people through their designs and publications.

I stay pretty mellow most of the time. Sometimes someone steps so far over the line that. . . . Well, read Minus #1. The rest is just business as usual. Minus #1 is not.

On the independent publishing (Nomad Press) front:

MINUSES:

1. Shortly after I woke up this morning, I learned that someone has gone to the trouble of scanning every page of one of the books published by Nomad Press (that's me, working in my basement in a room that only has a plug-in space heater) and posted the results on the internet. I'm all for freedom of information, but the author and I also like to pay our bills (maybe, some day, install a heating duct in the office, stuff like that). I don't know anyone who is doing creative work in textiles who is not hanging on by a thread and doing without stuff other people take for granted. The author invested a number of years in envisioning, researching, and writing the book. I invested several years and put my so-called retirement at risk to design, produce, and publish it.

It was a lot of work to scan the book—probably as much work as we put into doing the rough scans for the preliminary layout. It is also illegal (and, worse, immoral) to post the scans.

Clueless? Cruel?

The author and I have taken the appropriate steps with the hosting site to have the scans removed, but wow, I shouldn't have to do this! The material has been up since last August. When I wrote an account of this discovery at the start of the day, I said I could only hope that it's inspired people to buy the book, at the same time that I was working to protect the author's and my ability to earn a bit of income for the years of labor that went into developing this book.

This evening, near the end of a normal fifteen-hour work day, I learned that this person has also scanned and posted on the internet—also in their entirety—many other books and magazines on knitting and crochet.

I can't think of a more effective way to cut off the trickle of lifeblood that returns to the designers and writers and publishers in these crafts. Believe me, it's not a river of support that they dip into, and creative people have to eat, require shelter, even occasionally need to visit a doctor or dentist.

This person's activities in making our work available free on the web are definitely heartless, whether intentional or not.

[ADDED 2/16/08: Thanks to several friends, we have traced the person who is doing this. I suspect she is not aware that her behavior is causing great harm to other knitters who are doing their best to make a partial living by publishing their research and designs. She appears to be an excellent craftworker who appreciates the designs to which she has access because we are publishing them. If she chose to simply say that she likes our work and then suggest that other people purchase the books in question or borrow them from libraries—she obtained our book from a library; the classification label is visible on the cover of her scan—that would be extremely helpful to us. People throughout the world can buy our books through Amazon's various channels. Libraries are often happy to purchase books when patrons request them. And then we would be able to continue creating more books that she, and others, could enjoy. But not scan and post on the web, please.]

2. All of the shipping companies have just raised their rates (due to gas prices). Because cover prices on books have already been set and distribution terms cannot be easily changed, this is extremely hard on publishers, especially the independents who don't have a lot of flexibility to develop compensating income streams.

3. Almost all of the people we sell our books to are prompt and efficient about paying for the cartons we ship out. Some are late, but that's because they forgot or were out of town or the cat ate the invoice. They pay. Right now I'm having to deal again, however, with a re-billing of someone who was a new account, for whom I made a special trip to Kinko's to ship out a carton of books so it would arrive in time for an event, and whose payment is now four months overdue. I've mailed statements, e-mailed reminders, and left voice mail messages.

Blecch.

PLUSSES:

1.The fall title is coming along. It's in one of its nit-picky phases, so things are going slowly, but they'll get done.

2. I heard recently from an author of a much-anticipated future title that she may be completing the manuscript soon.

3. One of the wholesalers ordered four cartons of books yesterday. I packed them up and my daughter helped me drop them off at the package service on the way to a doctor's appointment.

4. Spinning in the Old Way just went back on press for the fourth time. A new print run of Ethnic Knitting Discovery has just been delivered, shortly after a new print run of Knitting in the Old Way.

5. I have plenty of freelance work right now, the stuff that helps support me while I do all the publishing work. I just need three of me to stay on top of all the deadlines and schedules!

And I always do my best to end thinking of the plusses.

_____

To support that habit, I'm going to go read some more in the issue of PieceWork that will be the primary topic of the next post.